The world of Midgard, which is set in the not-so-distant future—came almost naturally after I decided to try my hand at writing fiction. The breadcrumbs were there and had been there since I was young– I just needed a medium in which to bring them all together. The first “crumb” was in second grade, when my teacher told me that there was a hole in the sky, and, that if that hole continued to grow, my family and I would never be able to live outside again. That notion was terrifying to me, but I later learned that people had decided to stop using the pollutants that made the hole and that it had healed. Growing up in the 1980s and 1990s, I encountered 60s and 70s-era science fiction stories about the bad things that could happen if humans didn’t stop abusing the planet, and I was one of the first of my friends and family to see “An Inconvenient Truth” in the early 2000s. In 2017, I was reading Let my People Go Surfing (Yvon Chouinard) during a trip to Sonoma, California, when Robert Kamen himself joined us in his vineyard and put a word to what I had been thinking about “stewardship.” In the next couple of years, I read a lot more about climate change and global warming, including The Uninhabitable Earth by David Wallace-Wells, which was dense but fascinating. By then, however, I was tired of academic writing and lacked the energy and interest to explore yet another policy problem through non-fiction. A more fun read, however, was The Future We Choose, by two architects of the Paris 2015 agreement – Christiana Figueres and Tom Rivett-Carnett. They present two fictional futures for the earth – one in which humanity bonds together to save the environment, and another in which it fails to do so – and the spark was lit for a different kind of idea. After the “closeted novelist” announcement, I put the pieces together and realized that I could learn and explore the consequences of overconsumption and poor stewardship through fiction, and have way more fun doing it.

There were a couple of things that drove his character development. I knew I wanted his “superpower” to be his intelligence, and that his weakness was going to be a combination of social awkwardness and claustrophobia. One my editors early on suggested that the story read like a mystery, which is how I decided to make Sam a sci-fi “detective” of sorts. As I continued with my revisions, however, my revisions editor pointed out that Sam, my main character, was far too reactive, and that he needed more depth. Personality tests are a hobby of mine, and I happened to be reading about the enneagram test, I decided to assign him a “Type” – the best fit for what I was looking at was a “Type 5” or the “Investigators” – that type tends to be brilliant and inquisitive, but also a little too trusting or naive, and they tend to be more cerebral than physical. Using the enneagram really helped me understand how Sam would react or the types of actions he would take.

There are three things I hope readers will take away from this book:

1) That we need to be better stewards of our habitat or we will fall victim to the worst aspects of human nature. (Note: I deliberately avoid the use of the worlds “climate change” or “global warming” in the book itself as well as during discussions I’ve had about it – those terms are politically and emotionally charged in current debate). I want to re-frame the topic as “environmental stewardship” and better stewardship of resources more generally – getting away from consumption culture and back to things that matter…before we lose all of it as a species.

2) That “talent” comes in many forms and that yours / theirs deserves to see the light of day, no matter what the rest of one’s family, society, or culture values

3) Writing a book is like having children – there’s never a good time! (e.g. I want to inspire others who, like me, wanted to write fiction but didn’t think they could!).